Perhaps it is due to everything that has unfolded during the past 18 months, but this was unquestionably the most joyful evening I have ever spent in a theatre. No one has been unaffected by the pandemic, least of all The Arts Sector, so to attend an open-air production of The Comedy of Errors at the RSC in Stratford on a specially- constructed stage, felt like a unique experience to be a part of.
The Comedy of Errors is one of the Bard’s shortest plays; it could be argued that with lengthy attention-spans becoming rare commodities during Covid-19, this was an apt play to perform. Yet, it is the themes that the play explores that are ever so resonant. Two sets of twins become separated after a shipwreck, eventually reconciled after many years and numerous instances of mistaken identity. Redemption comes at the end, but Shakespeare being Shakespeare makes his audience question whether this will indeed be lasting or merely a temporary truce.
What I particularly loved about this production was the exquisite blend of speech and movement. Many a Shakespearean play have I seen where actors have declaimed their lines from the neck upwards only; instead, and what this performance highlighted with unabashed exuberance, is that the words should come as much from the whole body as well as the head. Granted, a play that revolved around chaos and confusion may lend itself more readily to this “full-bodied” action. Yet when the words are allowed to sing in full flight, how much richer the interpretations prove to be.
Of course, all this is being said against a backdrop where touch has been night on impossible for millions of us, so maybe just witnessing actors, in the flesh, embracing one another – whether in affection or discord- is really just a huge cathartic release. Ultimately, the show is a triumph for the RSC as it just goes to illustrate how vital theatre is in elucidating the human experiences and the countless ways in which it can help us make sense of an often baffling and uncertain world. In the end, companionship and the spirit of amity is what matters above anything else. To hear Dromio of Ephesus say to his twin, Dromio of Syracuse, with whom he has just been reunited, at the play’s conclusion, “and now let’s go hand in hand, not one before another” was to witness the essence of humanity.
On a balmy summer’s evening in Stratford–Upon-Avon, Shakespeare has never felt more relevant.
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Tagged as Amity, Arts, Covid-19, Culture, forgiveness, hope, humanity, joy, Literature, love, magic, Pandemic, reconciliation, Shakespeare, Stratford-upon-Avon, Summer, The Comedy of Errors, theatre, Togetherness, tolerance, Wonder